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Hugh Grant is a fantastic villain
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Horror
Film
Hugh Grant is a fantastic villain
By Deborah Ross
Book Review
Nothing is ever quite as it seems in Olga Tokarczuk’s latest novel
By Lee Langley
Film
Coralie Fargeat’s
The Substance
is not for the squeamish
By Zoe Strimpel
Book Review
Stephen King’s
You Like it Darker
shows a master at his peak
By Brice Stratford
Gaming
Alone in the Dark
is the granddaddy of video games
By Sam Leith
Film
The lamentable rise of VFX in horror films
By Ross Anderson
Book Review
Emily Carroll’s new graphic novel plays on our deepest fears
By Philip Womack
Television
Why
What We Do in the Shadows
works
By Alexander Larman
Film
Sick of Myself
: a Norwegian body horror that you’ll watch through your hands
By Deborah Ross
Film
The Pope’s Exorcist
isn’t scary enough
By John Ehrett
Film
Winnie the Pooh: Blood and Honey
and the British B-movie renaissance
By Robert Jackman
Film
Knock at the Cabin
is a better-than-average Shyamalan film
By John Ehrett
Film
M3GAN
is a biting satire of screen-obsessed parenting
By John Ehrett
Film
M3gan
is a tale of millennial mothering
By Julia Sirmons
Book Review
Johanne Lykke Holm’s neogothic horror
By Genevieve Gaunt
Film
Halloween Ends
succeeds because it’s barely a horror film
By John Ehrett
Books
Long live the New England horror story
By Matt Purple
Film
Wanted this Halloween: terror films, not horror
By Alexander Larman
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