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Film
Film
Challengers
is a tennis romance without much tennis
By Dan Hitchens
Film
Is it time that Zack Snyder retired?
By Alexander Larman
Film
Civil War
is the first success of A24’s new box-office strategy
By Ross Anderson
Film
Christopher Nolan, creator of worlds
By Alexander Larman
Film
Japan’s quiet reaction to Oppenheimer
By Philip Patrick
Film
Monkey Man
proves fighting the gods is a bloody affair
By Ross Anderson
Film
Scoop
will make you want to claw your face off
By Deborah Ross
Film
Road House
is a triumph of awful filmmaking
By Rich Cromwell
Film
Stormy
depicts porn star heroism
By Cockburn
Film
The intriguing revival of the British gangster picture
By Alexander Larman
Film
Reconsidering Paul Thomas Anderson’s
Inherent Vice
By Amelia Butler-Gallie
Film
How to write the perfect modern screenplay
By Rod Liddle
Film
A Best Stunts Oscar is long overdue
By Ross Anderson
Film
Oppenheimer
and
Poor Things
clean up at the Oscars
By Alexander Larman
Film
Predictions for the 2024 Oscars
By Alexander Larman
Film
Why we hope something will go wrong at the Oscars
By Alexander Larman
Film
Dune: Part Two
and Paul’s struggle
By Aaron Gwyn
Film
Dune: Part Two
has lots of sand
By Deborah Ross
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