The Way of Water is a visually immersive and profoundly uninteresting film
By Nicky Otis Smith
Godard’s work remains a vibrant pageant of cinematic possibilities
By Nicky Otis Smith
It’s a successful satire of cancel culture that never hectors or patronizes
By Nicky Otis Smith
The HBO Max miniseries shows a rare interest in the present moment
By Nicky Otis Smith
We’re All Going to the World’s Fair is an important film about the internet
By Nicky Otis Smith
The Worst Person in the World’s ticking clock makes it both urgent and sad
By Nicky Otis Smith
The Seventies weren’t John Wayne’s decade, and that was fine by him
By Nicky Otis Smith
Castellano and Castaldo descended upon Narrowsburg with a gust of wind, declaring that they would open an acting school, start a film festival and make it ‘the Sundance of the East’
By Nicky Otis Smith