Claire Lowdon

Sally Rooney’s fourth novel is another case of compare and contrast, with various pairings of anxious characters struggling through their twenties and thirties in picturesque Dublin

Far from being closeted in her bedroom, her letters show that she was still traveling in her mid-thirties

Why the Irish novelist’s deceptively modest new novel is a must read

I will never not be interested in whoever Catherine Lacey chooses to be next

Lessons by Ian McEwan reviewed