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Writing
Lionel Shriver’s Mania is provocative, stimulating and outrageous
In The Sleepwalkers, Thomas insistently and cleverly shows that a novel can do what a series screenplay can’t or won’t
She gives us proof that you can make a sophisticated, original point without resorting to academic Esperanto
Write, Cut, Rewrite is an agreeable glimpse of highlights from a brilliant collection of literary manuscripts
She manages to pack in more drama and nuance into 160 pages than other authors manage in novels twice that length
In Headshot, fighting is shown to be an essential part of what it is to be a girl, an undeniable, animal part of femininity
The writer was right. Until August isn’t worthy of him and should probably have been left in the archives
The stories are world-hoppers, set in Italy, America, Siberia, Krakow and Berlin
I had a great contract with a famous publisher to write a biography of Benito Mussolini
