US EDITION OF THE WORLD’S OLDEST MAGAZINE
Film
Intellectuals used Disney’s output as a testing ground for a critique of art and social structures in the 1930s and 1940s
Esther Leslie
To preserve an outsider artist such as her, you have to preserve the messy reality of life
Mitchell Jackson
This reincarnation of a classic chooses pointless nihilism over redemption
John Ehrett
Inspiring Walt Disney makes the case that Disney’s studio functioned in a similar way to an eighteenth-century decorative art manufactory
Jane Coombs
International
Goebbels ordered Riefenstahl to edit the black athletes out of her film, but she refused
Nigel Farndale
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