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Kazuo Ishiguro
Film
Why were 2000s movies so hypersexual?
By Nicky Otis Smith
Film
Winnie the Pooh: Blood and Honey
and the British B-movie renaissance
By Robert Jackman
Film
Is Quentin Tarantino finished as a filmmaker?
By Alexander Larman
Film
65
is a better B-movie than it has any right to be
By John Ehrett
Film
Hugh Grant’s rude Oscars interview
By Cockburn
Film
The first post-slap Oscars was a bit dull
By Alexander Larman
Film
Michael Caine at ninety, in his own words
By Tanya Gold
Film
Champions
goes through the motions
By Deborah Ross
Film
The Christian movie finally finds its niche
By Alexander Larman
Film
German patriotism collides with
All Quiet on the Western Front
By Alexander Larman
Film
Everything Everywhere All at Once
might not be complex enough
By Slavoj Žižek
Film
The Tolkien industry is about to get bigger — but not necessarily better
By Alexander Larman
Film
Cocaine Bear
blows
By Deborah Ross
Film
Ant-Man and the Wasp: Quantumania
is Marvel losing the plot
By John Ehrett
Film
The glorious rise of the superhero anti-vaxxer
By Alexander Larman
Film
Knock at the Cabin
is a better-than-average Shyamalan film
By John Ehrett
Film
Why hasn’t the
Scream
franchise been killed off?
By Alexander Larman
Film
Turn Every Page
is an engaging film about how news used to work
By James Carden
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