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Film
Mad About the Boy sharply marries the contemporary with the age-old
The Brutalist represents a Christopher Nolan-esque swing for the big leagues
There is much more to the cinematic treatment of the ‘song and dance man’ than A Complete Unknown
Stanley Kubrick’s 1975 picture was ridiculed on release. Fifty years later, it is considered a masterpiece
The melding of truth and fiction is both culturally limiting and the kind of dangerous terrain which breeds conspiracy theories and fake news
If you could figure Bob Dylan out, it would all be over
What really powers the film is the goodwill of the audience towards the franchise as a whole
