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Film
It took a few decades, but he’s finally achieved the prominence he deserves
Alexander Larman
Terence Stamp, that bloody-minded and deeply individualistic actor, did not so much define the decade as bend it to his will
He had a remarkable career in American film, and one that can be seen more clearly now
Mia Farrow doesn’t even appear until page 313 of Patrick McGilligan’s latest film biography
Lynn Barber
Book Review
The actor’s memoir is less of a spectacular failure on the level of The Godfather Part III than a literary Righteous Kill
Nat Segnit