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A timeless Stockhausen work
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Music Review
Music Review
A timeless Stockhausen work
By Damian Thompson
Music Review
Willie Nelson embodies America
By Graeme Thomson
Music Review
Taylor Swift needs Jesus
By Teresa Mull
Music Review
Beyoncé’s
Cowboy Carter
is clever and sonically witty
By Rod Liddle
Music Review
The Last Dinner Party’s
Prelude to Ecstasy
fizzes with wit and invention
By Alexander Larman
Music Review
Kurt Vile’s
Back to Moon Beach
is pleasant yet underwhelming
By Rod Liddle
Music Review
Lana Del Rey’s new record: samey, stale, sterile
By Francesca Peacock
Music Review
Taylor Swift’s
Midnights
is a bright spot in a bland music industry
By Alexander Larman
Music Review
Roy Hargrove doubles up
By Jacob Heilbrunn
Music Review
Taylor Swift tells it all too well on her ‘Red’ re-release
By Amber Duke
Music Review
God, it’s slight: Lindsey Buckingham’s new album reviewed
By Rod Liddle
Music Review
Donda is repetitive, spiritless, god-bothering music
By Rod Liddle
Music Review
Billie Eilish’s Happier Than Ever is hugely unmemorable
By Rod Liddle
Music Review
The sermons poked out of the songs like busted bed springs: Van Morrison livestream reviewed
By Graeme Thomson
Music Review
Watch kids go giddy in Niamey: Mdou Moctar live in Niger reviewed
By Michael Hann
Music Review
I’m turning Japanese
By Luke Haines
Music Review
Demi Lovato makes Taylor Swift resemble Dostoevsky
By Rod Liddle
Music Review
Songs of freedom
By Jacob Heilbrunn
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