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Robert S. Erickson

Theater

The Some Like It Hot revival is cream-puff theater

It reduces a charged premise to something more mundane

By Robert S. Erickson

Theater

Ebony and ivories

The Piano Lesson puts its characters first

By Robert S. Erickson

Theater

An ingloriously dumb adaptation

Almost Famous fails to make the jump from screen to stage

By Robert S. Erickson

Theater

Baldwin and Buckley clash on the New York stage

The play succeeds in affirming a certain anti-liberalism

By Robert S. Erickson

Theater

Is this Tom Stoppard’s last act?

If Leopoldstadt does not convince the theatergoing public, then what will?

By Robert S. Erickson

Theater

Weighing in on the unauthorized Hamilton

It was probably inevitable that the culture wars would come for the show

By Robert S. Erickson

Theater

Robert Icke’s smart pairing

The British director offers seven hours of Hamlet and Oresteia

By Robert S. Erickson

Theater

Macbeth on Broadway: a Very Modern Scottish play

Daniel Craig whips through the Shakespeare tragedy in just over two hours

By Robert S. Erickson

Theater

Throwing curveballs

Race and sex in Paradise Square and Take Me Out

By Robert S. Erickson

Theater

Midcult madness

The Music Man and Plaza Suite reviewed

By Robert S. Erickson

Theater

Michael Jackson on Broadway

MJ: The Musical reviewed

By Robert S. Erickson

Theater

Swing for me

The experience of seeing George Furth and Stephen Sondheim’s Company is something like inadvertently joining a swingers’ party

By Robert S. Erickson

Theater

Nanny bait

Mrs. Doubtfire reviewed

By Robert S. Erickson

Theater

Truth in Duluth

Girl from the North Country is a delight as pure as birdsong

By Robert S. Erickson

Theater

Broadway’s back(side)

Six and Chicken & Biscuits reviewed

By Robert S. Erickson

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Robert S. Erickson

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Midcult madness

Robert S. Erickson

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Throwing curveballs

Robert S. Erickson

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Truth in Duluth

Robert S. Erickson

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