Robert S. Erickson

Theater

It reduces a charged premise to something more mundane

By Robert S. Erickson

Theater

The Piano Lesson puts its characters first

By Robert S. Erickson

Theater

Almost Famous fails to make the jump from screen to stage

By Robert S. Erickson

Theater

The play succeeds in affirming a certain anti-liberalism

By Robert S. Erickson

Theater

If Leopoldstadt does not convince the theatergoing public, then what will?

By Robert S. Erickson

Theater

It was probably inevitable that the culture wars would come for the show

By Robert S. Erickson

Theater

The British director offers seven hours of Hamlet and Oresteia

By Robert S. Erickson

Theater

Daniel Craig whips through the Shakespeare tragedy in just over two hours

By Robert S. Erickson

Theater

Race and sex in Paradise Square and Take Me Out

By Robert S. Erickson

Theater

The Music Man and Plaza Suite reviewed

By Robert S. Erickson

Theater

MJ: The Musical reviewed

By Robert S. Erickson

Theater

The experience of seeing George Furth and Stephen Sondheim’s Company is something like inadvertently joining a swingers’ party

By Robert S. Erickson

Theater

Mrs. Doubtfire reviewed

By Robert S. Erickson

Theater

Girl from the North Country is a delight as pure as birdsong

By Robert S. Erickson

Theater

Six and Chicken & Biscuits reviewed

By Robert S. Erickson