US EDITION OF THE WORLD’S OLDEST MAGAZINE
Television
The Netflix hit defies well-worn templates for shows about Asian Americans
Adrian Nguyen
For those of us who have followed Korean film for many years, the triumph of Bong Joon-ho’s Parasite, Park Chan-wook’s The Handmaiden or the living-dead series Kingdom on Netflix came as no surprise
Lawrence Osborne
The films themselves are so tautly controlled and paced that it’s impossible not to place Bong among the canon of great directors
James Delingpole
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