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Broadway
Theater
An Enemy of the People
is hit-or-miss
By Clarissa Sebag-Montefiore
Cockburn’s Gossip
Hillary Clinton, drama queen
By Cockburn
Campaign 2024
The Lincoln Project’s cringe attempt to attack Trump through musical theater
By Daniel Rey
Theater
Finally, a version of
Merrily We Roll Along
that works
By Clarissa Sebag-Montefiore
Theater
One-on-one with Broadway powerhouse Betsy Aidem
By Clarissa Sebag-Montefiore
Theater
Spring’s hottest theatrical openings on Broadway
By Clarissa Sebag-Montefiore
Theater
The legacy of
Mean Girls
and the decline of pop culture
By Mitchell Jackson
Theater
Stereophonic
is a love letter to creation
By Zack Christenson
Theater
The birth, death and rebirth of
American Psycho: The Musical
By Ross Anderson
Theater
Here Lies Love
is too scared to be serious
By Clarissa Sebag-Montefiore
Theater
The Sign in Sidney Brunstein’s Window
is never comfortable
By Clarissa Sebag-Montefiore
Theater
Aaron Sorkin’s new Camelot has nothing to say
By Clarissa Sebag-Montefiore
Theater
Bringing back Stephen Sondheim and enduring a new Andrew Lloyd Webber
By Robert S. Erickson
Theater
Broadway brings back Bob Fosse’s
Dancin’
By Robert S. Erickson
Theater
Noël Coward, the English playwright who loved all things American
By Alexander Larman
Theater
& Juliet
and
Titanique
: two newly minted cult classics
By Robert S. Erickson
Theater
The
Some Like It Hot
revival is cream-puff theater
By Robert S. Erickson
Theater
An unapologetically Jewish
Fiddler on the Roof
returns to New York
By Clarissa Sebag-Montefiore
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