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Despite its ringing title, I don’t think Summer of Fire and Blood is for the general reader
Gambling Man documents a career punctuated with attention-grabbing successes and abrupt reversals
Let’s be honest, The Secret Painter could have been absolutely terrible
Gliff is a different sort of project, but still one which reveals a desire to comment on contemporary culture
Marcus Bull has struggled, not always successfully, to fashion a coherent narrative
Despite the gap of time, the pages of the 1897 novella read fluently
Stephan Malinowski leaves his readers in no doubt that the Hohenzollerns deserve opprobrium rather than respect
In The Forgotten Sense, Jonas Olofsson hopes his readers will become nosewise
For Kerry Brown, talk of the country as an international flashpoint tends to obscure the experience of the people who call it home
