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The Jedermann, the myth, the legend
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Books and Arts
Theater
The Jedermann, the myth, the legend
By Robert Carsen
Theater
A new adaptation of
The Great Gatsby
is enrapturing and impressive
By Clarissa Sebag-Montefiore
Theater
Plenty of drama but no controversy at the 2024 Tonys
By Alexander Larman
Theater
The new revival of
The Wiz
is psychologically bland
By Clarissa Sebag-Montefiore
Theater
Shakespeare’s Shylock and the Nazis
By Susannah Heschel
Theater
An Enemy of the People
is hit-or-miss
By Clarissa Sebag-Montefiore
Theater
How the world fell for Marilyn Monroe
By Julie Burchill
Theater
Finally, a version of
Merrily We Roll Along
that works
By Clarissa Sebag-Montefiore
Theater
One-on-one with Broadway powerhouse Betsy Aidem
By Clarissa Sebag-Montefiore
Theater
Spring’s hottest theatrical openings on Broadway
By Clarissa Sebag-Montefiore
Theater
Beauty, terror and banality are uneasily juxtaposed in
Harmony
By Clarissa Sebag-Montefiore
Theater
Here We Are
is in many ways confused
By Clarissa Sebag-Montefiore
Theater
Sean Young has lessons to share
By Mitchell Jackson
Theater
The legacy of
Mean Girls
and the decline of pop culture
By Mitchell Jackson
Theater
Stereophonic
is a love letter to creation
By Zack Christenson
Theater
The birth, death and rebirth of
American Psycho: The Musical
By Ross Anderson
Theater
Once Upon a One More Time
is pat, prepackaged feminism
By Clarissa Sebag-Montefiore
Theater
Here Lies Love
is too scared to be serious
By Clarissa Sebag-Montefiore
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